three peaches
8 hours ago 208 notes
13 hours ago 236 notes
privatefilesofscottm:

“It was just such a different time, a different era: pre-Internet, pre-Instagram, pre-social media, and the psychology surrounding that particular group of kids was much different than what you see today. Back then, a lot of those kids were seeking some kind of oblivion, a shadow culture, something that would allow them to get away from it all. It was about trying to get lost, whereas youth culture today is a performative culture. It’s about exposing yourself, posting, being hyper-present. Teens want to be connected to their parents, to everyone; it’s a more media-saturated experience. Then, it was about people not knowing what you were up to. Now, everyone wants to know what the fuck everyone’s eating.” — Harmony Korine
13 hours ago 101,292 notes
ashoutintothevoid:

Emma Sulkowicz is on the cover of this month’s New York Magazine and that is the coolest thing wow
23 hours ago 284 notes
crystalfountain:

leonardo dicaprio by david lachapelle 

ladygolem:

arsvallis:

biologicallyfemale:

*reads foucault*

*nods while not understanding*

*rereads foucault*
*realizes that in nodding in agreement to a text upheld by the academy and your peers as an informative text you’ve internalized a power relation from a specific assemblage of knowledge and ideas, so while you didn’t understand foucault the first time you understood power and its effect on the body intuitively*

*reads post*
*nods while not understanding*

(via exai)

23 hours ago 1,072 notes
nickdrake:

Kyle MacLachlan, left, and director David Lynch discuss a scene on the set during production of Blue Velvet, 1986.
23 hours ago 1,652 notes

Otto Dix
Katze im mohnfeld. 1968Colour lithograph on smooth paper. 56 x 45.5 cm (66.9 x 56 cm)
23 hours ago 15,044 notes
1 day ago 286 notes
strawberrysmoothiebaby:

Felix Gonzalez-Torres, Untitled (Perfect Lovers), 1991, Clocks.
1 day ago 6,160 notes
andyouandeye:

my professor took this picture of the sun a few days ago through his solar telescope
©